miercuri, 28 septembrie 2016

Necromancy(Gre) - Visions of Lunacy(1989) review



Necromancy is a Greek death/thrash band formed around 1986 under the name R.O.T.(Reek of Terror), but changed the name to the actual one around 1988. "Visions of Lunacy" is their first demo, released in 1989. This band is also notable for presence of Giorgos Zaharopoulos, who later left to focus on Necromantia(and because of that many think this is a pre-Necromantia band, WHICH IS NOT).

The material here is quite solid, actually you'd think you listen to a forgotten demo of one of the "necro bands" from the middle of the 1980's, IT IS THAT GOOD. Production is top-notch; you can hear all the instruments perfectly. Moreover, the bass at times is louder than instruments.









The demo starts with "Thrashifixion", a 2:15 instrumetal track, which shows the band's intentions for this demo: fast deathrash, with a necro production, that makes you craving for more.
The next track, "Shattered Bodies", starts with a bass guitar, and some beats reminding me of Mercyful Fate, then goes into something similar to Sodom's "Persecution Mania". Sodom I said? Well, the next track is a Sodom cover, "Outbreak of Evil", which is the best cover of the afforementioned Sodom song(at times you'd wonder whether you listen to the original or not). 
The 4th track, "Forbidden Rites" picks up from where the previous track ends(it also has a nice guitar solo in the beginning), then explodes into a deathrash monster. The middle of the song is where Hell actually breaks loose.
The 5th track, "Nocturnal Cry", is an outro, but it seems that this idea was later used in Necromantia(its beginning actually reminds me of "Last song for Valdezie")

Overall, this band really had potential, but unfortunately didn't went that far due to Living Dead(guitar)'s death. But if you like your metal played fast and with a "necro" production, then this is for you.



Necrotrooper

joi, 30 iunie 2016

Sadistikus - Sadistikus(2014) review

Sadistikus is a new band from Israel, even though they are new, the music sounds as if it was recorded in 1985/86. So, let's think of it as a 1986 release:

After playing for some time in a thrash band called Eshet Lot, Ostry decided to play faster and heavier. What's the result? 3 tracks clocked at 9 minutes, but very well written tracks. Music is very good, well, what you can expect from bands nowadays: hellish vocals, fast guitar riffs(unlike what will be played in 6-7 years from now on). He uses a drum-machine, but that does not irritate your ears(remember that Sepultura didn't even tuned their guitars for Morbid Visions?). Even though it is a demo, you can hear all the instruments without any problems. Atmosphere? Yes, it is evil, this guy was truly dedicated to it

Unfortunately, we are in 2016... If this stuff would be released in 1986, pretty sure it would be hailed by many, and the band cited as influence. Now, I can only say that this is something that is missing at the moment. If you like bands like Sepultura, Kreator, Bestial Death and early Salem check it out. If you want to get a headache... check out the other bands around in the zine!

Necrotrooper

sâmbătă, 15 noiembrie 2014

Lamentations(French death metal)

Lamentations was a band from France, who released a demo tape in 1993. Stuff that is really death metal and not commercial shit consumed by the masses.

This post is a tribute to the drummer Christophe Mourrieres who passed away. Rest in Peace

The entire Lamentations demo can be heard here:
http://youtu.be/-T7b-YxMb3I
http://youtu.be/RDwQzGHve78
http://youtu.be/0D_bszkZPgc
http://youtu.be/QOrPZ8OZe44

And a Facebook page(tribute, of course) :
https://www.facebook.com/pages/Lamentations/743967632344644

luni, 18 august 2014

Interview w/ Ostry(Sadistikus, Eshet Lot)

1.Infernal hailz! Since you are completely unknown to the S.W. readers, please tell us more about you and how did you started the band!
My name is Ostry and I'm from Kibbutz Metzer, Israel. Well, after two years of activity as Eshet Lot I felt satisfied of the materials, riffs and lyrics. After a month of working on new materials, "Bloody Eon" was ready, but it was different than my previous material. It was more death metal-ish and I loved this new direction, so I decided to start a new project named "Sadistikus"(Kus means Kunt).
Sadistikus is morbid and evil as death metal used to be. Same as in Eshet Lot it's a one-man project with no other players. I love working alone and thinking alone. Of course I would like to play in a band, but my own material stays at the one-man project, where they belong to.

2.Your first project, Eshet Lot, also had a demo release... do you plan to re-record those songs with a full-line-up? And who is responsible for its artwork?
First I need to find the right players to take the recording part in "Age of Slaughter" demo. But since "Age of Slaughter", tracks like "Puschtakk", "Timrot Ashan" and "Missionaries from the Abyss" were released, and I really love them, So I think that if will be a re-release of some of Eshet Lot materials, it will be a small compilation of these two active years, and not only the tracks from "Age of Slaughter". "Age of Slaughter" artwork was created by myself.


3.Is Eshet Lot still active?
Eshet Lot is less active now, but there are still tracks from the past that I want to finish and release, so it will be always alive and working.


4.Now about Sadistikus. How did you got the idea to form it, and if there was anyone else involved in it?
The idea was to form a new oldschool project in the new direction of my new material, morbid death metal. Same as in my past works, music and lyrics by me.


5.Tell us about the recordings! How did you recorded them? Are you satisfied with the demos? How was the response for the demos so far?
Recordings were in two locations: first was the kibbutz's cowshed, second My room for other finishes. The responses were few but positive, but expectations for a future recordings with full-line-up are still in the works. And same as in Eshet Lot – when I'll find the right players, the re-recording will be in process. I am satisfied with the demo and really enjoyed working on it as always.

6.Now about the scene in IsraHell: how is the scene in your opinion? What bands can you recommend us from the scene?
I hate most of the bands here, only few here playing oldschool and not modern shit. Same with crowd here, only few are waiting for the oldschool concerts which aren’t comes often.
Bands I recommend from the cuntry:
Promiscuity
Sonne Adam
Tangorodrim
Har
Kever
(not specific order)

7.Do you like any bands from Hungary, Romania, Ukraine, Moldova? If so, name some of them!
Well, Tormentor is one of my favorites in the black metal subgenre. Pure evil and insanity with killer riffs and solos.

8.Your top 10 all-time favourite albums are...?

  • Sarcofago – INRI
  • Sodom – In The Sign Of Evil
  • Poison – Into the Abyss
  • Possessed – Seven Churches
  • Hellhammer – Triumph of Death
  • Bestial Death – Suicide of the Immortal
  • Bathory – The Return
  • Necrovore - Divus de Mortuus
  • Celtic Frost - Morbid Tales
  • Judas Priest - Sad Wings of Destiny

(not specific order)


9.What foods, drinks and such can you recommend us from your area?
Foods – Bamba is the best local munch, cheap and you can buy it anywhere.
Drinks – TUBI 60, Nesher, Bavaria 86 (not an Israhelli drink, but lovely beer) and Prigat.


10.Tell us about your future plans!(re-release some demos, perhaps signing with a label)
I can only say I am always working on new stuff non-stop and will stay creative anytime. As I said before about re-releases: when the right time will come & the right players will be found.


11.Some wise words for the ending!
PANTERA SUKKS


Some links:
https://www.facebook.com/pages/Sadistikus/1520791554838899 (Sadistikus on Fukkbook)
https://sadistikus.bandcamp.com/ (Sadistikus demo can be heard here)
http://eshetlot.bandcamp.com/ (Eshet Lot songs can be heard here)
https://www.facebook.com/eshetlot1 (Eshet Lot's Fukkbook page)

joi, 24 iulie 2014

Sadistikus(death metal)

Coming out of IsraHELL, this band is playing death metal
The band formed recently
Not many infos about them, but this is one of those bands that deserve a mention here
1985-87-like death metal is what you get

"Bloody Eon":

luni, 10 martie 2014

...and guess who has returned??

This is not about Sadistik Witchfukk though
Yes, we were on hold lately(as both Georgius and me) are busy with another things.

Lethal Outcome released the long-awaited L.P.(they were announcing it since 2010, when I discovered them from the first time)...
And now it's ready, entitled "Generation of Apocalypse"(which will be reviewed someday)

Here you can listen to it
http://www.youtube.com/watch?v=mO3CwcTeqq4


Necrotrooper

sâmbătă, 12 octombrie 2013

Interview Bony(Spinecrusher, ex-Snapjaw)

1.Hailz, Bony! Because this is the first interview for Sadistik Witchfukk, please tell us some infos about you!
Hail, Sorin! I'm former Snapjaw vocalist, the current Spinecrusher vocalist.

2.Which was your first band?(In case it is not Snapjaw, give some details about the band/bands where you sang.)
The first bands with which I sang was MG42 before having this name, at the 2nd and the last edition of a jam session.
The idea back then was that only the vocalist to be changed by the genre of the songs.
I sang with them 4 songs: "Witching Hour", "Ace of Spades", "Symphony of Destruction" and "Motorbreath".

3.How did you started to collaborate with Snapjaw, and what can you tell about the band(I guess that lots of people who read S.W. do not know about Snapjaw)
The collaboration with Snapjaw began some weeks after the jam-sessions I told you earlier. Cata(rhythm guitar) was in the crowd in that evening, searching for a
vocalist for the band he wanted to form. We didn't spoke back then, because I left immediately after the jam, but we met by mistake at a video show Pantera - "Watch it go",
where he asked me to be the vocalist. The band had no name back then, so I came up with the name Snapjaw.

Snapjaw playing live. From left to right: Cata Psycho, Bony, Mishu and Cristi
4.In 2010, Snapjaw splited-up. Why?
There were lots of reasons, I do not even know where to begin. The age difference I can say was one of the reasons, the rest of the members had a different point of view than mine,
towards the band and its style; they wanted a more modern(and updated sound?) that can sell; big demands regarding concerts and rehearsal places; line-up changing, that went to
the replacement of the older songs, but the biggest reason, at least for me, was the last of money. The others being much older, had jobs and they could afford paying monthly for the
rehearsal place. I couldn't afford so I proposed them that we should get on hold until I will find a job to pay for the rehearsal place. Of course that break was for forever,
because the band wanted to change the style, something pop-rock with another vocalist.


5.Between 2010 and 2012, as far as I know you didn't sang in any band. Did you left the metal scene in this time, or you were still in it but doing something else(besides Necrogore Productions)?
I left the metal scene for forever, because back then a group of people "owned" the scene, to say like this, had a plan to help bands who paid money or praised them,
something typically romanian unfortunately, and I did not wanted to take part. Actually, without money and without them, you have no chance to raise as a band or to
survive in the scene. Many venues where metal concerts were held closed the door, and chances to find new people for this style to form a new band, were very small,
almost impossible.

6.Since 2012 you are the vocalist of Spinecrusher. What can you say about this band? Did you influenced the band in any way?
I can say that Spinecrusher are reaching the level I wanted to reach with Snapjaw, they are much closer to the style I wanted to play. My influence on the band, was the
same I had also on the scene, that is about the image on stage. When I started to sing, many of the bands looked the same, they wore the same street-clothes on the stage,
and everything seemed unoriginal and dull. I left those concerts disappointed, and I felt that they did not deserved the money, so I wanted to do something that I wanted to see
at the other bands; the crowd to see a show as well, not just to listen the music(that you can do as well at home, being relaxed in your lounge).

7. Also, you released a demo with Spinecrusher. What can you tell us about it(recodings, who produced it, who wrote the music, the lyrics)?
The demo was recorded at my place, self-produced in the most DIY style to reduce the costs. The songs and the lyrics were written before I joined the band. It's a
3-songs demo, that tells a story.

8.What about Spinecrusher's future plans(signing with a label, perhaps an album)?
We plan to release a 10-songs album, hopefully to be released next year. I don't know if we'll sign with a label too soon, because our style it's not a sell-out on, like the core bands or
pagan/folk/avant-garde/experimental/bla-bla-manelo-subacvatic black metal that are the fashion bands.




9.Also, Spinecrusher opened for many bands such as Blasphemophagher, Sodomizer, Hellkommander, better said, Romanian Thrash Metal Club's events. What do you think about RTMC.
And how did they influenced Spinecrusher's activity?
They had a big role in the band's development, besides the mentioned concerts, "Hellthrash" would not even exist without their help. RTMC is one of the reasons that made me
to return in the metal scene and showed me that there is a chance for the genre I play. If they would form before, or if Snapjaw would resist a little bit, maybe that band would still be alive.

Spinecrusher
10.Besides the activity in these bands, I know that you collaborated with Necrogore Production as well. Do you still collaborate with them? What can you tell me about Necrogore
and some of its events.
The collaboration with Necrogore Production does not exist for some time. I only did some flyers for events, and when they organized a concert, I helped them staying at the entrance.
Because I had no band and I no longer wanted to have anything to do with metal, I thought it was a waste of time, and I had nothing to gain or to learn from it, I thought
I had not enough artistic freedom. After the organizer learnt how to use Photoshop(or Corel?) it was no need of my help. I can only wish them good luck for the future.

11.What do you think about the Romanian metal scene?
I have a very bad opinion, at least before joining Spinecrusher. The scene itself was one of the reasons I left the metal scene.
As I said before, a big part of it is seems to be a big "circlejerk", many people from "the previous generation" only help between themselves, praising themselves even
for the smallest achievements/releases, most of them being inexistent. Some people who only exploit the scene for personal profit, who openly lament for how hard is what they do
and that is the crowd's fault for their failures, because they cannot appreciate what is good. I know a lot of people who agree with me, but do not express openly because they're
afraid of those whom they depend on more or less. I see the metal scene as a music of revolt where you can express your ideas openly, and also your personally vision towards the
world. Although many things are in my detriment, I can not stop to openly express my honest opinion towards some persons and things that happened in our scene. In this way I know
exactly that every next event will be deserved, not for those who pay or give praisings to. I don't like that many things released in the metal press regarding some cancellations or
line-up changings are hidden. But nothing is lost though, luckily there appears in a new wave of bands, a new generation with big potential that I hope will bury the outdated mentalities.

12.Are you satisfied with Snapjaw and Spinecrusher's releases? Would you change something at them?
I can't say that I am satisfied regarding Snapjaw, actually, they are not that excellent. Regarding the EP, I am not proud at all; it would be better if it wouldn't exist,
if I'd knew that will end this way. I gained some experience since, and this is only a good thing, but mostly, I think that I wasted some good dieas. I would liked a LP instead of that EP,
that was only released because "that's how it is done&it is demanded".
I would like those releases to be recorded in another place, at someone with ideas and much more knowledge about metal and I would like to draw that artwork myself, which was in my opinion,
a waste of money just to look "actual". Mostly, I think that were taken lots of decisions that I didn't agreed with and maybe we will not be that known in this way.
I think we all have a favourite band, that changed the style into something not that good and you'd wish that band to split before this to happen, or at least to change the name.
Spinecrusher is at another level, it is just how I wished Snapjaw to be and I am more happy with its musical direction.

13.Speaking of Snapjaw, some of the songs were never released. Would you like to reform the band? Or, those songs to be part of Spinecrusher's setlist?
I would like to reform the band, but it's not mine and I think it will never happen. I lost lots of good songs that I liked a lot, but nobody remembers them and there are only
some bad-quality live recordings. A big part of Snapjaw's songs cannot be part of Spinecrusher's setlist, songs like "Waking up the vampire" that is too
melodic for Spinecrusher's style. Maybe "Back from the Grave" I would like to sing, but unfortunately, there is not any recorded version. It is the only song I liked a lot and I am sorry for it.
I would like to sing with Spinecrusher, but I didn't wrote it; so this is the situation. It would be cool to release an album with all the songs we have and to do a farewell tour, but these wishes will never achieve.

14.What romanian bands do you recommend(or from abroad)?
From Romania I don't know what to recommend, I rarely listen to romanian bands, this because of the lyrics, many times these lyrics are written in romanian language,
thing that I don't like, but actually it is good. Romanian bands that I mostly listen to are Cap de Craniu, The 13th Sun, The Nuggers, First Division, Raizing Hell,
Psycho Symphony, Crossbone and Code Red. From abroad I recommend Usurpress, Bombs of Hades, Tribulation, The Black Dahlia Murder, Blood Freak, Ghoul, Tormented, Repugnant,
Splatterhouse, After the Bombs, Skeletal Remains, Acid Witch, The Cramps, Kap Bambino, Pistamashina, Daikaiju, Guantanamo Baywatch, Dr. Living Dead, Gallhammer, Hellkommander
and Sodomizer. There are bands that influenced me, but many of them are already known

15.Your top 10 all-favourite albums...?
Tankard - Beast of Bourbon
Faith No More - Angel Dust
Mercyful Fate - Don't break the Oath
Motörhead - Bomber
Misfits - Earth A.D.
D.R.I. - Thrash Zone
Possessed - Beyond the Gates
Hellhammer - Triumph of Death
Black Sabbath - Sabotage
Judas Priest - Screaming for Vengeance

16.The last words are yours!
Support the bands with their own songs, not the tribute bands who does only exploit the scene.